At first, living forever doesn’t seem so bad. Kaulder ends up slaying the Witch Queen, but not before she curses him with immortality. That’s where a little Meisner, Stanislavsky or Uta Hagen would help.
When he has dialogue, he relies heavily on his deep baritone and charisma – and he has plenty of charisma - but he could be so much more engaging if he treated scenes with dialogue like he treats scenes without dialogue. He is also connected to his wife and child, who we occasionally see in flashbacks. He barely has any dialogue and it forces him to really act.
Diesel is at his best during these scenes.
